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<title>Yüksekokullar</title>
<link>https://hdl.handle.net/20.500.12619/68141</link>
<description/>
<pubDate>Tue, 14 Apr 2026 19:58:44 GMT</pubDate>
<dc:date>2026-04-14T19:58:44Z</dc:date>
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<title>Hereditary angioedema awareness in turkish emergency department physicians and the Results of a brief video assisted education</title>
<link>https://hdl.handle.net/20.500.12619/34036</link>
<description>Hereditary angioedema awareness in turkish emergency department physicians and the Results of a brief video assisted education
Ünal, Doğan; Demir, Sertan; S. R. Isik; M. Olgac; Coşkun, Recai; K. Terzioglu; S. Beyaz; O. O. Yegit; N. Oztop; C. Tuzer; A. Gelincik; B. Colakoglu; S. Buyukozturk
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<pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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<dc:date>2019-01-01T00:00:00Z</dc:date>
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<title>Procedia Social and Behavioral Sciences</title>
<link>https://hdl.handle.net/20.500.12619/34035</link>
<description>Procedia Social and Behavioral Sciences
Karabaşoğlu, Cemal; A Iaman; Eskicumalı, Ahmet
Notation which is expressing of writing musical tones by using some type of special signs has changed into the many phases up to now which is widely used. Although different knowledge placed at the different sources about when and where the musical writings were came into existence. Notation in the tradition of Ottoman music era had become widespread from the beginning of 19th century. Within the traditional musical understanding as a method of education and transference, Notation was used mostly in the edvar books especially for explaining of theory of music. In opposition to implementation of traditional educational method (mesk), the books written for saving repertoire are the most important historical music resources from centuries they belong. It has a vital necessity for the musical observations and researches on recognizing and learning of different notations used in the history and reading the most important notation heritage of Turkish Music. (C) 2015 The Authors. Published by Elsevier Ltd.
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<pubDate>Thu, 01 Jan 2015 00:00:00 GMT</pubDate>
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<dc:date>2015-01-01T00:00:00Z</dc:date>
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<title>Effect of pre-setting pressure applied flexure strength and fracture toughness of new SIFCON plus RPC composite during setting phase</title>
<link>https://hdl.handle.net/20.500.12619/2836</link>
<description>Effect of pre-setting pressure applied flexure strength and fracture toughness of new SIFCON plus RPC composite during setting phase
İpek, Metin; Aksu, Mecbure; Uysal, Mehmet; Yılmaz, Kerem Cenk; Vural, İsa
Reactive powder concrete (RPC) and Slurry Infiltrated Fiber Concrete (SIFCON) are steel fiber-reinforced cement composites which have superior mechanical properties such as compressive, tensile, shear and flexural strength with extraordinary toughness values. Manufacturing of a new composite material was intended by using superior performance of SIFCON in terms of flexural strength as well as superior performance of RPC in terms of compressive strength. For this reason, fresh SIFCON was filled into the bottom portion of mold by means of specially-designed molds and pre-setting pressure was applied by filling reactive powder concrete on it. For RPC and SIFCON in mold, pre-setting pressure was applied in six different pressures (0, 3, 6, 9, 12, 15 MPa). Test results indicated that maximum flexure strength was obtained as 69.70 MPa under 15 MPa pre-setting pressure. According to control-without pressure, flexure strength was improved by 43.21% with 15 MPa pre-setting pressure. Also fracture toughness was increased about 32.03% with 12 MPa pre-setting pressure. Prefabricated structural elements can be produced with the composite material, which is built via SIFCON + RPC composite, without needing a steel reinforcement. (c) 2015 Elsevier Ltd. All rights reserved.
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<pubDate>Thu, 01 Jan 2015 00:00:00 GMT</pubDate>
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<dc:date>2015-01-01T00:00:00Z</dc:date>
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<title>UNIVERSAL VALUES IN BEETHOVEN'S MUSIC: SAMPLE OF THE 9th SYMPHONY</title>
<link>https://hdl.handle.net/20.500.12619/2837</link>
<description>UNIVERSAL VALUES IN BEETHOVEN'S MUSIC: SAMPLE OF THE 9th SYMPHONY
Küpana, Mürvet Nevra
Music has an important role in establishing intercultural relations. Music can be seen as a perspective the awareness of cultural differences. Cultural differences are appear in the environment of cultural similarities. According to Friedrich Schiller human development, has a very important educational task for gaining form by culture and humanization. Schiller composed a poem entitled An die Freude (Ode to Joy) and he revealed a theme about living in an atmosphere of brotherhood of the human race. Ludwig van Beethoven used this poem in the 9th Symphony's last movement, completed in 1824. Beethoven is a composer who is well versed of human suffering, passion, freedom aspirations, conflicts and struggles. The composer's perspective is directed to the integrity of the world. The final movement of the 9th Symphony, which is the highlight of the work, dominates with the power of musical and philosophical perspectives. The purpose of this study is to identify the universal values Beethoven's music carry music and to exemplify through the 9th Symphony. For this purpose, the literature method is used. Beethoven's creativity and musical language were determined in providing universal peace with an approach based on the philosophy and aesthetic. As a result the universal values of Beethoven's music are revealed. The study concludes that 9th Symphony in the international platform through universal values play an important role in ensuring peace. In accordance with the data obtained, suggestions are made about acquisition of universal values and atmosphere of universal peace for arts and arts education.
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<pubDate>Sun, 01 Jan 2017 00:00:00 GMT</pubDate>
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<dc:date>2017-01-01T00:00:00Z</dc:date>
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